A PRODUCT FOR EVERY PLAYER

The Fractal Audio Systems family of processors includes three different products each built on the same industry-
leading amp modeling, speaker cab simulation, effects, and flexible foot control.

FM3 • ULTRA PORTABLE. MOST AFFORDABLE.
FM9 • MORE POWER, MORE FOOTSWITCHES, MORE OPTIONS.
AXE-FX III • THE MOST POWERFUL GUITAR PROCESSOR IN THE WORLD, BY FAR.

Marco Fanton Saturday Live

FM9 How to start - Q&A Live Stream.

More Marco Fanton Videos

Tuesday Tone Tip with Leon Todd

Leon Todd takes a look under the hood of the amp block advanced parameters.

More Leon Todd Videos

Fractal Friday
with Cooper Carter

Cooper Carter shows you how the pros pair the FM9's OFM9G layout with the Layout Links function to streamline the FM9's live switching for easy and efficient preset and scene changes.

More Cooper Carter Videos

Frank's Fractal Sunday

In Frank's Fractal Sunday I will showcase the fantastic Fractal Audio Factory Presets. Today I show you the presets #166-170. At the end of the video I play my song "Song For Gary" using my own preset "FSM PITSO - Gary Moore". Have fun 🙂.

More Frank Steffen Mueller Videos

NEW! RED SOUND
ELIS.8 & MF.10

Brand new and exclusive to G66, developed with Marco Fanton, this tiny cabinet is a super-linear, super-compact solution that provides super stereo sound when used in pairs, perfect for the Axe-Fx and FM3 and the ideal companion for every modeler.

Videos & Tutorials

Axe-Fx & FM3 Demo Videos and Tutorials.

Nicolas Desmarest

Videos of the Week 35 & 36

Axe-Fx III & FM3 User Videos of the Week

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Featured Artists

The greatest musicians in the world choose Fractal Audio Systems. See the ever-growing list:

John Mayer uses the Axe-Fx III both live and in the studio, including some standout moments on his latest album 'Sob Rock'. We're honored that he continues to be inspired by it.

John Mayer uses the Axe-Fx III both live and in the studio, including some standout moments on his latest album 'Sob Rock'. We're honored that he continues to be inspired by it.

The Axe-Fx was a game changer for us both live and in the studio. The new model takes it to an unprecedented level of realism and control. This is beyond modeling or effects processing... this is the new standard for guitarists.

The Axe-Fx was a game changer for us both live and in the studio. The new model takes it to an unprecedented level of realism and control. This is beyond modeling or effects processing... this is the new standard for guitarists.

The new Axe-Fx made my head spin. Amazing amp feel and endless tone. It truly is a quantum leap… a major milestone in guitar technology.

The new Axe-Fx made my head spin. Amazing amp feel and endless tone. It truly is a quantum leap… a major milestone in guitar technology.

I have been working with the Axe-Fx For almost a decade now, and with almost obsessive levels of scrutiny, I have been trying to find reasons to use other things, or 'go back to amps' ...but something wonderful has happened, in that not only does the Axe-Fx III boost my CPU power and provide a truckload worth of tone in a unit I can carry in an overhead compartment, it also has put me in a position where in a very real way, I now prefer the tones I have created in my Fractal units over my traditional amps. On my newest record, after exhaustively micing up a dozen great amps in the studio, I actually chose to re-amp my signal and use the Axe-Fx III, which I preferred to all the amps. It is a total solution for me, and my life is literally better for it. I can't recommend this technology enough.

I have been working with the Axe-Fx For almost a decade now, and with almost obsessive levels of scrutiny, I have been trying to find reasons to use other things, or 'go back to amps' ...but something wonderful has happened, in that not only does the Axe-Fx III boost my CPU power and provide a truckload worth of tone in a unit I can carry in an overhead compartment, it also has put me in a position where in a very real way, I now prefer the tones I have created in my Fractal units over my traditional amps. On my newest record, after exhaustively micing up a dozen great amps in the studio, I actually chose to re-amp my signal and use the Axe-Fx III, which I preferred to all the amps. It is a total solution for me, and my life is literally better for it. I can't recommend this technology enough.

The Axe-Fx completely and forever changed the way I look at guitar processing. The new model takes everything I love about the old one to the next level. All of the FX sound richer and the new interface makes it even easier to use. My rig has a new openness and clarity and sounds so much better as a result.

The Axe-Fx completely and forever changed the way I look at guitar processing. The new model takes everything I love about the old one to the next level. All of the FX sound richer and the new interface makes it even easier to use. My rig has a new openness and clarity and sounds so much better as a result.

The Edge is known for his signature sound—a combination of musical elegance, exquisite core tone, and innovative effects—especially echo. For him to trust this illustrious sonic asset to the Axe-Fx expresses that it meets his exacting needs, but also demonstrates that this guitarist is a veritable force at the forefront of both music and technology.

The Edge is known for his signature sound—a combination of musical elegance, exquisite core tone, and innovative effects—especially echo. For him to trust this illustrious sonic asset to the Axe-Fx expresses that it meets his exacting needs, but also demonstrates that this guitarist is a veritable force at the forefront of both music and technology.

We wanted to hate the Fractal. All that work formulating and honing the Metallica guitar sounds was going to be lost. We couldn't have been more wrong! It opened the door to way more options than we had ever had before. In short WOW. — “Big Mick” Hughes Engineer Metallica

We wanted to hate the Fractal. All that work formulating and honing the Metallica guitar sounds was going to be lost. We couldn't have been more wrong! It opened the door to way more options than we had ever had before. In short WOW. — “Big Mick” Hughes Engineer Metallica

The quality of all the effects is superb. There is great depth and transparency, and excellent imaging that makes listening with in-ear monitoring a wonderful aural experience. The choices are limitless and it's fully loaded with all the options you'd ever need. Take it for a test drive, you won't be disappointed.

The quality of all the effects is superb. There is great depth and transparency, and excellent imaging that makes listening with in-ear monitoring a wonderful aural experience. The choices are limitless and it's fully loaded with all the options you'd ever need. Take it for a test drive, you won't be disappointed.

The new Axe-FX has all the functionality and tonal quality of the old model, and then some. The introduction of the original Axe-FX unit into the pantheons of guitar FX processors was akin to the invention of the wheel. The new unit is like having four wheels and racing into the abyss.

The new Axe-FX has all the functionality and tonal quality of the old model, and then some. The introduction of the original Axe-FX unit into the pantheons of guitar FX processors was akin to the invention of the wheel. The new unit is like having four wheels and racing into the abyss.

This is what I've been waiting for my entire life!

This is what I've been waiting for my entire life!

The Axe-Fx ll is a tone generating powerhouse. I’ve been using it for writing recording and live performance. It always delivers the goods. Mike Keneally and I both have them integrated into our live rigs. They’re rock solid and sound great every night. The shows wouldn’t be as fun and exciting without them.

The Axe-Fx ll is a tone generating powerhouse. I’ve been using it for writing recording and live performance. It always delivers the goods. Mike Keneally and I both have them integrated into our live rigs. They’re rock solid and sound great every night. The shows wouldn’t be as fun and exciting without them. Joe Satriani

I have lost track of how many times I have looked at my Guitar Tech and said "this sounds f#$%ing amazing!!

I have lost track of how many times I have looked at my Guitar Tech and said "this sounds f#$%ing amazing!!